free parking

Great, aesthetically pleasing design needn't be limited to traditional architectural forms such as houses and public buildings. 



Utilitarian spaces, such as car parks, present architects and designers with a unique opportunity to bring beauty and harmony to the everyday functional spaces that are normally ignored by great design minds. 




Modern design is all about "experience" and these car parks pictured acknowledge that one's experience of a private or public place begins the minute they pull up in their car. Innovative developers and designers are recognising just how crucial this is - it's almost too late by the time the consumer arrives at the front door. The "experience" of good design starts well before that. 



These samples demonstrate how luminous exteriors, bold graphics and neon bright lighting all work here to create a space that is breathing, achieving the previously unachievable - giving tonnes of drab, purely functional concrete a sense of life. 






credits to the cool hunter. be sure to click on the images to view them properly. 

special, sacred. space, place

This is your first task for the final project of Design 1A in 2009. 

 

This part of the project is worth 10% of this project.  It must be available for presentation next week 27th April 2009. 

 

Your task is to find a smallish piece of inorganic refuse, that is, something that will not rot, that you can bring to studio on 27th April 2009.  We suggest that it be no larger than 200mm in any direction. 

 

You are required to make two drawings of this object.  One is to be a plan view from above, and the other is to be an elevational view from your preferred aspect.  

 

These drawings are to be to scale.  They are to be of this object as if it were enlarged to a size where its longest dimension in any view is 3000mm.  Your drawings are to be of the object if it was this big, and the drawings are to be  at a scale of 1:20.  The drawings are to be accurate line drawings of this object. Shading might also help to define the form of the object. 

 

Each of the drawings should be on an A3 sheet, and appropriately titled with your name, subject, scale and date, etc.  

 

These drawings are integral to your subsequent work for this project.  It is therefore essential that they be finished and available as prints for the 27th April 2009. 

some photos

of my lincoln project, taken in a sleep deprived state most of which were rather blurry.. here are two which aren't. 

in case you're wondering, my photos

 just show a book i made of a few overlays to show how i broke the landscape up into geometric portions. (refer back to my post 'captain planet' to see where my inspiration for the design came)

i will post less haphazardly soon i

 promise! 

coming soon: details photos of my lincoln scheme, formal posting of my brief for my next design task and any other things which catch my attention!

sacred spaces, rubbish.

today i received the first part of the brief for our final design studio task of this trimester. basically i'm on the lookout for a piece of inorganic rubbish of which i must draw as part one of my project. the project was entitled 'sacred space' so i'm assuming there will be something to do with a space of worship in the design.

 i'd love to use a scrunched up piece of paper as to continue my love affair with triangles and geometry but i'm scared off by the possible prospect of needing to represent something so geometrically sophisticated in a 3d model. over analyzing these things probably isn't a good idea. maybe the paper would be a good challenge? but how would i draw something of such complexity? i even resorted to alternate forms of presentation and development for my lincoln hillscape and those were flat triangles.. imagine a glass structure mimicking the geometry of scrunched paper, such an interior space would be quite beautiful... regardless of if i choose the paper or not i do want a piece of rubbish that no one else shall be using. 

oh also just to note, i haven't forgotten about those photos of my lincoln finals, being in geelong at the moment i'll post those pics a swell as my self assessment once i'm back in melbourne!

did someone say cram?

hmm seeing as this blog is not in anyway being assessed i'm going to openly admit that i procrastinated (almost) all weekend until about 6pm sunday night. i can gladly tell all two of my followers (which incidentally consist of my father and girlfriend) that i'm finished! thats right! 11+ hours in one day and i'm hanging up the boots at 5am (well roughly). but wait, thats not all, i'm actually quite happy with the end result.. i figured there was no point me staying up past 1am to hand in a a P so.... i made it not a P (i hope). apologies as i was going to show you some nice pictures of my finished work but in my sleep deprived state i left the camera on the kitchen bench and well, i'm in bed now.. i'll post 'em pics tomorrow. until then. goodnight. x

rushing it through.. .

okay, here we go. probably a good 7 or 8 hours work on this today.. not including running around to the ridiculously overpriced eckersley's and other joyous things.. basically i've completed my 'context' model (the model i'm using to demonstrate my concept within the landscape- i'm still deciding on whether or not to put some trees in...) and a terrible looking 3d render of the actual stage. anyway here we go. i'm off to work again.. 

four score and seven years ago..

so i've been working on a place to hold lincoln's 'gettysbu

rg address' a short and sweet two heart felt two minute speech regarding civil war and loss of life... 

still greatly inspired by natures role in architecture i have been playing with ways to 'geometrically' break up a landscape- the hill lincoln stood on to deliver his speech. after various attempts to apply my own geometry to the landscape i ended up going for the most seemingly random layout purely because it was the only concept which worked- both aesthetically and functionally. 

here is a plan view of my design.